Mayan's Hidden Technology

2007-02-25T17:28:00.000-08:00

The above slices are from the original 50% cuts along the markers in the image.. They show 4 distinct individuals within them, 2 distinct imagram's (2 {50} H) (combination of the word image and diagrams to denote that they were originally from at least two distinct images that formed what could be translated as a diagram of some type)

in this case the numerical data (i.e. 2 {50} H) shows that it was from 2 images at 50 percent or half the size of the image sliced along the Horizontal plane ..

As a further example, if I had 14 images that were sliced along the Vertical plane at 26.3 percent, the correct show for that would be (14 {26.3} V)

As a final example, you simply add the "," the "." and group them by alpha characters to denote multiple varied slices such as (a.12 {23.6} V, b.2 {26.3} H, c.2 {50} H) which of course means:

group "a" has 12 images that were sliced at 23.6 % of vertical, group "b" has 2 images that were sliced at 26.3 % of horizontal plane, and group "c" had 2 images that were sliced at 50 % of horizontal plane. the slices of vertical are from the left to right, while the horizontal are from the bottom to top..

Now that I got that out of the way, I will also ask you to look at the particular people depicted in the image, you can tell each one of them are not the same person because it was specifically designed with unique characters with different facial features and different headdresses in mind, that means that they represent a specific purpose I have yet to decipher in order to better understand its purpose and or meaning (could use help in this department).

The imagram's themselves show what appear to be a graphic of some type which I am still working on as well and the other two images derived from the slicing seem to have a "stop motion" two frame animation involving two different individuals as well.. So as of this moment, I have 6 unique individuals, 1 two frame animation, and 2 imagram's just from a 50% slice along the markers in the tomb lid itself. quite a teaser it is wouldn't you say so?

Supposition

If it is indeed a form of a holographically layered imaging system using phased drifted patterning as its primary source, then it could be possible to see very skewed images within the original image by "layering" each of the slices upon each other, problem with this is, you will not be able to disconcert much this way except for a brief "teaser" as to what could be considered information of a type, so as a "supposition", I give you a brief look at what can be can be shown by layering two of the images upon each other. Note that even if this is a very poor and very skewed view of the data before you, notice how the "central" marker at the outer rim (right down the middle) have lined up. interestingly enough I had to only increase the width of one of the images to line up the boarders with each other and in the process the central borders self lined by themselves.

I could now postulate that the boarders double as some form of alignment tool (as I have mentioned I believe they contain the cypher code to unlock the information contained within the carving which I have yet to figure out).. and if they were aligned properly back up, the information would become self evident..

Though as I said, thats a simple supposition in itself and does not dictate anything other then my own personal direction...

James A.

Two more examples

2007-02-24T15:28:00.000-08:00

This one is a complete 50% "slice" right down the horizontal line using predefined markers already contained within the image itself. The results of turning this into a symmetrical rather then asymmetrical image shows that the information I am dealing with to be very dense indeed.

This is the other 50% slice of horizontal that makes the image into two distinct pictorials with an obvious further reduction along the central axis of vertical, meaning there is at least two more asymmetrical areas of interest that can become symmetrical (which is were some of the other pictures already presented have derived there image from..

What does all this mean?

As mentioned I believe the Mayans had found a way to use phased drifting for recording purposes. they had a remarkable society that had accomplished many feats of engineering that even today we have no means to duplicate as we simply do a "best guess" and still come up short.

The most current example of phase drifting we have for a "recording" purpose is based in optoelectronic technologies, and has been given the sci-fi adapted terminology of a "Holo-Cube".

A holographic cube is a set of materials that work in similar purpose to your DVD duel layer recordings you can do, the difference, is that a "matrix" is used based upon x,y and (sometimes) z coordinates rather then a spiral linear approach as is the case with your DVD duel layer recorder.

The holographic cube is as its name implies, it is a multi-layered "cube" that is not clear, but made up of thousands to millions of layers of atomically layered (plasma chamber derived) sheets of varying optically pure "base layers" and frequency responsive layers sandwiched between the base layers themselves. This then is layered to the desired size of the cube you are needing (though as of now we have models that are very small in scale because it takes at least a year to make a true holo-cube of limited size as they are still working on the manufacturing techniques)

There is only one practical application available to the general public now as a holographic storage system so I suspect it is very expensive (have not researched the maker of this device, but I am confident that you can find out who they are for your own amusement)

The reason for mentioning the device to you is to show a relationship with the images on this website versus the current way we are beginning to travel when involving holographic storage and recalling. It is my belief that the Mayans had a way of storing virtual images as a holographic event in stone. meaning that though they had stone and other raw materials to utilize, they still had then as we have now, the most powerful system on this planet "The human Mind".

I read a book that detailed the last known Mayan priest to have come into contact with in the early 70's by the author of the book. He detailed that the priest did a "dance" in accordance to a predetermined pattern, the pattern shifted from one overall design to another depending on what the priest was recalling. the priest said that these dances and the oral statements were handed down to him by his father and his father lineage on through time as his family have always been priests.

The holographic cube technology utilizes a "patterning" matrix that is adjusted per layer to store data by a tunable LASER system, the recordings are the same however, because currently they take a single image per layer and copy the image within that layer over and over again to the total length of that layer. In other words it is currently being used as a high tech photocopier with a high grade OCR (optical character recognition system) in place. the idea is that if you lose up to 75% or even higher (depending on the scale of the image stored) you can still recall the data. this means that you can allow for damage to the cube and still have it function fully (hence the government support as a tool of military applications) in the respect of using "patterns" to store the data, the priest's movements and the oral representations are very similar in results, the difference is the techniques and the "density" of the storage, the holo-cube is very dense, but waists a great deal of potential to the desire for "redundancy" while the priest's movements and oral representations, represent a more efficient use of pattern generation and recognition capabilities while at the same moment "appearing" to lose density in the storage capacity.

The priest is now dead, but the fact that the author was detailed enough to explain the priest's actions and oral representations, shows a remarkable understanding of pattern recognitions and generations that the human mind and body are capable of doing "without" the benefit of a computer, mechanical system.

I said "appearing" to lose density because there is another element in the Mayan culture of past, the stone engravings that they left behind as records of there past, we only have a "linear" translation of 1/3 of the entire language, so many aspects of the culture have been lost to time, however, it occurred to me that the Mayan culture was "multi-dimensional" orientated per Pakal's teachings integrated throughout
(as it was said he taught at least nine dimensional representations and integrated in the society)

In this particular book I read, the priest was asked by the author "where is the technology, the works of your ancestors?" .. the priest calmly scooped up a handful of the earth and gave it to the author, perplexed, the author looked at the dirt sample and then began to notice on closer inspection that the handful of dirt the priest handed him had very tiny stones with a hole right in the center of the "bead" .. the material that was used to make this hole with is too brittle for conventional means to drill, it would have shattered into a million pieces from the vibrations, in fact the only thing we have in existence right now that can accomplish this is a "LASER" , since lasers did not exist then, how did they manage to accomplish this? .. the authors respect had went up a notch from this and the priest (if i recall properly) said "it is everywhere" which the author took to mean that the technology of the Mayans was hidden in plain site for all to see, you just had to look hard enough and you would find it.

That said, the images I post represent to me what would happen if you sliced a holographic cube along a predetermined axis of orientation (0,90,180,270) you will receive an image, but along with that image, you will also receive a distorted image from unrelated data, the same can be said to hold true for the images on this blog, they are slightly "distorted", but contain a basic image, this in itself means that at least "phase drifting" was utilized to layer the images upon the lid, advanced understanding of Newtonian techniques, and scalar relativity were involved as well. If this holds true, the image will repeat at a certain point (reaching the maximum resolution used) and will produce a large sums of images, the problem is the approach, without a cypher key (knowing the pattern used and its beginning point of origin) the translations will remain skewed and incomplete.

You are all welcome to post your comments should you desire to, this has become a Pandora's box (as it were) and I have many things on the plate. I will continue this, but I cannot post everyday as other things call for attention.. but I will try...

James A.

Updates in the photos

2007-02-23T18:25:00.000-08:00

The above image is just one of the examples that one can expect when you work with the image contained within the paremeters of the tomb lid itself.. This image was first cleaned up of the "rough" rubbing surface that was between the raised surfaces of the carved image, I did not remove nor alter any of the raised surfaces, I needed a "cleaner" image to prevent confusion of the raised image versus the "level" playing field that is between the raised images itself.

That said, the above image is produced from 1/4 of the entire image itself, the line used to cut along the central axis, was based upon the "four seasons" mentality that the Mayans followed. That is why the axis is based upon the 0,90,180,,270 degree representation. each one represents a specific time of year as it is known then and now, even the basic Indian belief structures centered and still center around this basic concept.

here is another one for you to see:

Now the law of probabilities will dictate that eventually I will receive a repeating pattern, however even with the symmetrical layout I present before you, the detail or "resolution" (the point at which the smallest common denominator is achieved) is on a very small level indeed.

This would indicate that there is a "limit" to the resolution, however beyond the limitations of the resolution, the exact nature and refinement of the "sequences" is left up to the observer and or manipulator of the image.

Any one in basic geometry would understand that any geometrical object will eventually repeat itself in a predictable pattern after anything above the usual 2 or 4 steps of division of the image. but these do not happen until the level is very small in slice among the image either horizontally or vertically thereby showing an intended "curvature" in the design..

You can reproduce these two (there are more coming) but I suggest using 1/4 divisions along the lines I have already prescribed (they are self evident within the layout itself, so you are not "adding" anything to the analogy )

James A.

Font color

2007-02-19T17:38:00.000-08:00

Ummm after letting my eyes settle back down from finally realizing that the color scheme I picked was toooooooo sharp in contrast, I picked a more subtle text font color to keep you from having a seared image on your retinas after looking away (some things slip by me when I have so much going on lol!)

Just an update

2007-02-19T13:24:00.000-08:00

I have many, many more pictures I need to get on this blog, so be patient, I am in the process of getting them together so I can post some of the other variants I have found int he Mayan tomb of the King of the Mayans

Laying out just a few of the differences between one side and the other

2007-01-01T12:54:00.000-08:00

Here is a series of Images I have derived from the Tomb lid

2007-01-01T11:17:00.001-08:00

The first thing that I noticed was the lack of Symmetry.. The Mayans culture was "well" known for its ability to produce such precise measurements when aligning the stones used to build the culture they made, that you could not even get a piece of paper between each stone.

That said, then "why" do we have an Asymmetrical carving instead?. other forms of glyphs they used were consistent and deviated very little from intended design so again it comes to the question of "why" was this particular design chosen to be carved into the very lid of the tomb of the first major ruler of the Mayan culture?

Pakal would have been at every moment of its inception insuring it was to Pakals design (seeing as he had no "home yet to speak of as this tomb had to be built prior to the house itself)

Under this "guise" I proceeded to notice other details of the design itself that began to show themselves to me. It first became obvious to me the asymmetrical component of the design was not just one particular instance, but many. It is in fact a amalgamation of multiple images overlaid into one final template take for example the above image. It has two distinct images occupying a relative position within the template itself (the line denotes a single split based upon relative positioning using existing lines within the image itself)

In this next example we see that the symmetrical value of the design disappears along the central axis which is a good sign of a multiple picture overlay involved in fact the lack of symmetry is so obviously done, that is could not have been anything else except "intended" as to its purpose I am still working with that myself. But the results are rather interesting.

Mayans believed in cycles, therefore following the same form of logic, they would have designed something like this in a cycling methodology, meaning they would have had enough of an advanced understanding of the laws of physics that they would have known that even if you traveled the earth in a complete circle, you will not end up at the exact same place you started, you will in fact end up "parallel" to were you started from. That said, it seems that they understood enough to be able to overlay images upon one another before actually carving the lid of the tomb itself.

Though this lid may seem to be highly stylized, I believe it to show a more intelligent understanding of phase drifting whereby you produce images of off centered value from the previous one, and set it to a "circular" event whereby the final image is placed exactly were it would be upon completion of the cycle itself. Hers the "rub"

The markings on the side boarders of the lid are not translatable into any Mayan language to date. I therefore wonder if it is in fact a "language" at all but a set of "primers" used to encode the data upon the lid itself (used by the carvers per Pakals instructions)

Now I am going to approach this with a "linear" slicing mentality, meaning that I will slice the image based upon "four" rotations (i.e. 0, 90, 180, 270 degrees) using basic Adobe Photoshop for each single "section" I take from the internal image itself. this alone will determine if the image is based in cycles because I will effectively be "cutting across" multiple images in the process. the results will be slightly skewed as information is concerned, however the "symmetry" will be comeplete rather then remaining "asymmetrical"

The Lid of the Mayan ruler who changed everything

2007-01-01T08:04:00.000-08:00

I have read on many different websites that the Mayans were very advanced, I have done "real" archaeological research into the Mayan, Olmec, Aztec, and Inca cultures and find it an amazing time of prosperity for civilization's that flourished before what we call "modern society" I especially like the Olmec and Mayans cultures as they are both very much related to each other.

When the Olmec culture was past its "prime" as a civilized nation, It appears that one person (more likely a group of people with one leader at the helm) left the Olmec society and forged outward to design another. This would be the Mayan culture. The first (from what I have studied) official leader of this civilization was Pakal.

Pakal was the one who introduced new methodologies and technological designs into the culture, he infused most of the technological achievements into a form that anyone would accept.

At the time, the Sun was worshiped and the heavens were studied, Pakal made sure that whatever they did had to be infused into the merging culture in such a way that it rooted itself deeply into the nation, he did this by introducing a modified version from the Olmec culture a form of religion that became the "deciding " standard during his reign (which was approximated to have lasted 60 or 70 years) beyond advancing the farming techniques, land reclamation, astrological studies, Mathematical concepts modified from the Olmec culture, and teaching the people 9 different dimensions (11 total), and engineering techniques, There is not much information one is able to glean about the "real" person behind the "gracious" history he is attributed with.

Now the picture at the start of this blog is the famous "rubbing" of the Lid of Pakal's Tomb. It is about as much as resolution of a picture I could find and it is dated 1975. It has far more detail which has been lost to "re-compression" of information by websites and multiple sharings over the years so it has become the bases for this blog, the reason being, It "seems" that Pakal still had a final trick to pull up his sleeve, one for which he has been remembered and caused controversial studies for many years to come.

In such a culture where buildings are very much a part of religion, the design of the kings Tomb would have begun at the (or very near) his time of reign, it would have been to the kings "specific" instructions and I doubt that anyone was brave enough (or more to the point) disrespectful enough to make a "Kilroy was here" type of anagram anywhere on or around the tomb itself.

Interestingly enough, the lid of the Tomb is "not able" to be removed from the chamber itself, this is because the steps and the sloping sides of the passageway to the chamber itself would never allow such a massive lid to be moved in any physical sense whatsoever. This means that the lid itself was "fashioned" long before the Kings housing facilities were ever built. In fact it means that the tomb would have been one of the first considerations before building the facilities in the first place. this shows a "direct" influence Pakal had in the design, architecture, and construction of not just his "house" but also of his tomb as well.

What that means, is that the "writing" carved into the lid and the surrounding sides of the tomb itself (along with any writings carved into the walls themselves) would have been "expressly" commissioned and overseen by Pakal himself. So the image and the writing as well as the design itself was because of Pakal, not "for" Pakal by dutiful servants/slaves he had working for him.

That said, It was (and is) my belief he left a final message in the lid and the surrounding sides of the Tomb itself as well as the walls. I am not sure if too many are aware of this, but the borders that surround the image "do not" have a current translation, they are not of any known text that we have currently involving the Mayans themselves therefore they have no reference point. It means that the symbols have some unspoken definition we have yet to decipher and I am of a less ambiance toward it being anything to do with "writing".

We are aware that the Mayan culture used a combination of words and symbols to explain the nature of the year and the circumstances surrounding them. That the king had "rememberer's" working for him that could give him the exact time and date of any death of any citizen for any year as well as the total amount of grain down to the last one for anytime he chose, it was also possible for them to recall events and sing songs from the time they were made. In reality, these rememberer's were "living computers" of the highest order of the time. This shows a very advanced understanding of logical principles involving Newtonian mathematics as well as many more advanced concepts for the time.

It quite amusing that the "wheel" was considered either "not" important, or "so important" as to it being banned from being utilized by the civilization itself and reserved for the Priest's of the time. In either case (ignored or banned) the results were the same. they did not use the concepts of a constantly moving wheel as a means for travel, yet fully understood the concept of a wheel as evidenced by the few remaining calenders they possessed (I tend to lean toward the second example as the evidence shows that the "average joe" never used the wheel or circle concept as a written or embroidered emblem in the everyday business of living)

What I will do, is attempt to display many things I am discovering about the lid of Pakal over the next few months that lead me to believe we are missing some vital information to decipher involving the lid and in fact the tomb itself so be patient as I do work for a living and my time is more regulated then most (40 hours plus) but I do reserve the weekends for myself (and the lack of furniture shows for this) however I believe it is important to put this information out for all to debase or entice others to try and figure out the missing codes still left with the Mayan culture (only 1/3rd of the entire language has ever been translated.. I believe it is "FAR" more then this)

2007-01-01T07:55:00.000-08:00